Iago believes that the longer she stays with Othello, the more her “delicate tenderness will find itself abused, begin to heave her gorge, disrelish and abhor the Moor” (2, 1, 253-255). He believes women are lustful creatures that shouldn't be loved nor trusted. Sure enough Iago doesn't want any woman getting in his way and warns other men to avoid them. Give it me. 86. [A1S1] lago uses Emilia as his tool; she is cared for only in so far as she is of use to him. Iago’s short lines sound like threats: ‘Speak within doors’ (IV.2.146) and ‘You are a fool, go to’ (IV.2.150). Iago also is not only bitter at being overlooked for promotion, but also because he believes that Othello has bedded his wife, for which he also wants revenge: ‘Till I am evened with him, wife for wife-‘ (Act 2 Scene 1) Emilia is regarded merely as a possession, and just like Desdemona, has no say in the matter. Emilia. Answer: There certainly is not that strong and equal tie of love which we would expect to find existing between man and wife. Desdemona as beautiful daughter is seen as prized possession. Iago’s public treatment of Emilia is as dismissive as the way he speaks to her in private. The third female character in the text is Bianca. In Act IV Scene 2, Iago is annoyed when Emilia refers to Iago’s false suspicion that Othello cuckolded him. Quotes to show Iago's scheming becomes darker & Iago being the "opportunist" "Do it not with poison. Anthony Brennan 1986 Many explanations have been given for the recovered stature which Othello achieves at the end. Iago is a sexist in every aspect of the word. Ha! lago has neither the desire nor the ability to love anything or anybody. My friend, thy husband, honest, honest Iago. V,2,3498. V,2,3494. Emilia. Othello. Strangle her in her bed, even the bed she hath contaminated" "wether he kill Cassio, Or Cassio him, or each do kill the other, Every way makes my gain" 15 Quotes to show Iago kills Roderigo As for men, anyone giving his heart (or life, as in Rod's case) to a woman is a fool. In act 4, scene 3, Emilia delivers an impassioned monologue about the expectations and perceptions of women prevalent in Jacobean England. Talking to his wife Emilia, Iago says: “You are pictures out of doors, Bells in your parlors, wild-cats in your kitchens, Saints m your injuries, devils being offended, Players in your housewifery, and housewives’ in your beds.” (Act 2, scene 1) In this quote, Iago summarizes the woman’s circle of responsibilities: housework and sex. Iago-presents Desdemona as an object owned by her father, almost irrelevant in list of stolen objects. Iago: A good wench! / Look here ’tis. Emilia: No, faith, she let it drop by negligence,/ And to th’advantage I, being her, took’t up. [A1S1] ‘the old black ram is tupping your white ewe!’ Iago-Desdemona is seen as property ‘your’ but also sexualised, her choice to be with Othello is seen as a violation. Everybody calls Iago honest once or twice, but with Othello it becomes an obsession; at the crucial moment just before Emilia exposes Iago he keeps howling the word out. he lies to the heart: She was too fond of her most filthy bargain. 85. If he say so, may his pernicious soul Rot half a grain a day! Iago: Hast stol’n it from her? Examination Questions on Othello Question: What is the relationship between Iago and Emilia? Emilia loves Iago with all her heart, but however realises that Iago’s plan to destroy Othello is wrong and will tarnish Desdemona’s life. (3.3.304-319) It seems as though Emilia is a character that is used when convenient to further the plot. Do thy worst: This deed of thine is no more worthy heaven Than thou wast worthy her. 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